À propos

Vernissage :
27 février 2026 à 19.00

Ouvertures :
28 février : 14.00 – 19.00
1 mars : 14.00 – 18.00
2 mars : 16.00 – 19.00
3 mars : 14.00 – 19.00
4 mars : 16.00 – 19.00
5 mars : 14.00 – 19.00
6 mars : 16.00 – 19.00
7 mars : 14.00 – 19.00
8 mars : 14.00 – 18.00

Biographie (EN) :
In today’s art landscape, often dominated by conceptual and abstract movements, I represent a small but growing group of classically trained figurative and plein air artists. While this movement remains rare in Luxembourg, it is gaining strong momentum in many other countries.

My work focuses on capturing the stories of our time and place through painting – preserving both cultural narratives and traditional artistic skills. Although I primarily work in oil and watercolour, I’m not strictly bound by medium. What guides me is the subject matter: stories worth telling, moments worth preserving.

Like Piet Mondrian once said, an artist should paint where they live, allowing their environment to shape their art. This philosophy informs my approach. Through painting, I aim to build a deeper connection with Luxembourg – the city that welcomed me and has become my home. As a plein air artist, I’m still a bit of an oddity on its streets, often drawing curious glances and questions. But painting on location, from observation and within the life of the city, is the only way I know to capture the authentic spirit of everyday contemporary life – without sensationalising it or focusing on a single narrative. Like a quiet observer – a brush in hand – I document what I see.

In my technique, I draw on my roots as a Russian-born artist, carrying with me a tradition known for its technical rigour and its distinctive approach to realism. I’m particularly inspired by the Russian Impressionist movement, with its nuanced use of subtle greys to create vivid contrasts – rather than relying on pure, open colours. My eight years of living and painting in Singapore and Southeast Asia have also left their mark, bringing a brighter, more saturated palette to my work. Additionally, my background in architecture continues to influence my compositions, adding structure and a love for line that underpins much of what I do.

A deep love for the craft side of painting and desire to preserve the now again rising awareness and appreciation for the skilful techniques of the old masters, drives me to constantly perfect my approach and technique. After 10 years of balancing my roles as an artist and art educator with a career in architecture and design, I made the bold decision to become a full-time artist in 2022 – and I haven’t looked back since. Without a plan B, I’ve been fully committed to being a full time artist.